You know, sometimes I worry, you know, is comedy and my type of comedy going to get stale? Is it going to be so offensive that it becomes uninteresting or so niche that I don't have an audience anymore? But it keeps getting bigger and bigger and bigger, where roasting now is a movement. These roasts are on in India, in Mexico.

Maybe I'm corny, but I'm a big believer in second chances.

It really bothers me when some people say that all cops are racist. Of course that's not true. Most of you are just [expletive] to everybody.

People are not afraid to be very direct with police. And I think that's part of the problem is that people are angry at the cops and then the cops are stressed out and they, you know, pay it backwards, so to speak.

Life has to keep going, so you can either be a victim the rest of your life and let it drag you down into drugs and alcohol and depression or you can turn it into something good, fun even, you know, and I tell young people who are going through depression that this might be the most important time of your life. This might be what makes you a great artist later on.

My own personal rule is to tell jokes that I think the person I'm making them about can laugh at, to go home and tell their family, oh, my gosh.

In Boston where community policing is so important, they don't necessarily have to like each other, but they know each other. The cops in Boston make it their business to get out of their vehicles, to engage the public, to walk around the neighborhoods. They live in the community that they police. And I think these things help.