Aesthetics is both politics and philosophy, a series of agreements and disagreements between subjective minds.

Architecture, in itself, at the end of the day, is a rational profession.

It is possible to construct small realities that contain political or philosophical responses, not necessarily just practical or economical responses.

Unlike sciences, literature as art relies on societal acceptance of a certain vocabulary.

The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.

The world is meaningless and therefore it's funny.

When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.