I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

My directing is really weird. Everything is based on whether it's working or not. I don't try to fix something if it's not working, I'll just change it.

Most of my horror inspiration is really older stuff and really new stuff.

I think in general I personally have a tendency to protect other people's feelings, and I've noticed that becomes a major hindrance to communication. It's better to just be honest, even if it's painful.

I'm interested in taking things from my relationship that I don't see on screen - or that I feel like that could be useful or helpful if it were out in the open - and trying to put that in the movies as much as possible.

The more that I work with people that I don't know, the more I invite somebody in who's potentially going to really hate being there.