What's the bleedin' point?

If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And if I can persuade you to laugh at the particular point I make, by laughing at it you acknowledge its truth.

...when you collaborate with someone else on something creative, you get to places that you would never get to on your own. The way an idea builds as it careens back and forth between good writers is so unpredictable. Sometimes it depends on people misunderstanding each other, and that's why I don't think there's any such thing as a mistake in the creative process. You never know where it might lead.

For me, the great problem growing up in England was that I had a very narrow concept of what God can be, and it was damn close to an old man with a beard.

Would you take a billion dollars, if as part of the deal the Earth were made uninhabitable a year after your death? ... well, of course not; you care about your friends, above all your children, any grandchildren. But ... what if the deal calls for the planet to be poisoned a thousand years later? We feel strong obligations to generations in the near future - should we not feel the same way about our children's great-grandchildren and generations beyond them?

Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.

Most of the bad taste I've been accused of has been generic bad taste; it's been making fun of an idea as opposed to a person.