I just love the process of working with other actors.

The situation in the film is like me going out to Venice Beach and talking to a homeless guy on the boardwalk, and 13 years later he's the president.

The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.

Radical Islam and US exceptionalism are in bed with each other. They're like lovers, methinks.

If you wanna give me an award, I'll take it. Just don't make me go to the party afterwards.

It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.

The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.