In Germany there's something about rock music much more political than it really is - like everything you were doing was an indictment of the American culture. I read an interview with one of the members of Sebadoh. He was saying he had just got back from touring Germany for the first time in five years or whatever, and one of the interviewers asked him, "Why aren't you still relevant?"

Sometimes people will ask a real "Why are you beating your wife?" question where there's some assumption built into it, and all you're trying to do is kind of re-contextualize it with some element of truth, and it comes across as incredibly defensive, or just really weird.

A lot of times I'll post things on Facebook, and the immediate response will be like, "Stick to the music!"

There have been times I wanted to cry on interview, but it hasn't been because that's what they're trying to conjure. No. I think you have to graduate to some higher level of TV IQ for people to actually want to see you cry.

I feel like the future is unwritten. So many of the things that we write now haven't been about educating people on the environment, they've been about disseminating facts. But I feel like it could be productive to write something that explored directly the idea of fragility.

That's what I call 'Guiliani Time', my friends. 'We've got a problem. Let's kill it.'

I feel like musicians have such a precarious place in the political discourse, because musicians are, sort of just by nature, people-pleasers.