Have you heard Alanis Morisette trying to play the harmonica? She doesn't know how to play the harmonica. Well guess what, Alanis, I INVENTED the 'don't-know-how-to-play-harmonica-harmonica-solo.'

It's hard to tell a shallow person that they should care more about the feelings of the awkward and the alienated.

That really sums up the strange bluntness that a really prime German interview can have. They're really interested in your cultural velocity in this way that I don't think people in the United States even necessarily think about alternative-rock bands. So it's not like we're against regular rock. We're not like a battling army shaking our weapons against The Rolling Stones.

I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.

I read The Onion, and I've read a lot of interviews that are very direct, often with people who are never direct. Which is interesting. But somehow the A.V.Club part of The Onion, I don't think is telegraphed into the popular culture.

I think the biggest wrestling match-up I have is how to respond to the word "quirky." Or the alternate, "nerdy." Both are essentially benign to the reader, but if you're a writer just sort of involved in your creative process, they seem like very small motivations.

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.