Yeah, so if that guy can make it in drunk, surely we can make it in sober. I mean, we’re ninjas.' 'Well, maybe you’re a ninja,' I said. 'You’re just a really loud, awkward ninja,' Margo said, 'but we are both ninjas.

That deep, can-still-taste-her-in-my-mouth sleep.

How can you seperate those things though? The people are the place is the people.

You never know. It's just. It's like. POOF. And you're gone.

They love their hair because they're not smart enough to love something more interesting.

We got off at the next exit, quietly, and, switching drivers, we walked in front of the car. We met and I held him, my hands balled into tight fists around his shoulders, and he wrapped his short arms around me and squeezed tight, so that I felt the heaves of his chest as we realized over and over again that we were still alive. I realized it in waves and we held on to each other crying and I thought, 'God we must look so lame,' but it doesn't matter when you have just now realized, all the time later, that you are still alive.

One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."