The good guys in my movies mind their own business and they don't judge other people. And the bad guys are jealous, they judge other people without knowing the whole story, they want all the attention and they're mean spirited. So I think my films are politically correct in a weird way.

It was a mystery to me. To that awful black-and-white farm, with that aunt who was dressed badly, with smelly farm animals around when she could live with winged monkeys and magic shoes and gay lions. I didn't get it.

I respect everything I make fun of.

New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.

I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.

The "Texas Chainsaw Massacre" hitchhiker really made people never want to hitchhike again - the hitcher, the show. Hitchhiking is always vaguely sexual.

I don't know how I made those movies. I went out every single night, I smoked pot every single day. I drank. We did everything, but I never became a drug addict or an alcoholic. Other friends are dead, many of them. So many people in this retrospective...in Female Trouble, almost everyone is dead.