It's time now to rent a car, roll down the windows and prepare for your first big thrill: the freeways. They're so much fun they should charge admission. Never fret about zigzagging back and forth through six lanes of traffic at high speeds; it erases jet lag in a split second. You're now heading toward Hollywood, like any normal tourist. Breathe in that smog and feel lucky that only in L.A. will you glimpse a green sun or a brown moon. Forget the propaganda you've heard about clean air; demand oxygen you can see in all its glorious discoloration.

I was always flattered, but I just want my movies to make money. I want to be commercial. I'm never the person who says, "I don't care if people don't see my movies." I always want people to see my movies.

I liked speed. I was on black beauties all the time. Nothing bad happened to me. I didn't become a drug addict because I always had to make a movie. We weren't stoned when we made them; I was stoned when I made movies up. I did them all.

When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.

Fame is protection if you go to a scary place. Fame is fun. A lot of people don't say anything and you don't know they know who you are.

When I was young, no one wanted to be one; now even the President of the United States would call himself an outsider. So now I'm for insiders.

I went to the Vatican once - it was a bad idea. I went into the bookshop and I bought hideous, pious postcards and then I asked for a receipt, and the nun said, "We don't give receipts at the Vatican." Which threw me into a rage of like, "I guess not, so you can take this money and funnel it into anti-homosexual groups!" People had to drag me out of there. It's not good for me to go into the Vatican.