People still come to Baltimore and say, "I didn't realize you made documentaries."

The good guys in my movies mind their own business and they don't judge other people. And the bad guys are jealous, they judge other people without knowing the whole story, they want all the attention and they're mean spirited. So I think my films are politically correct in a weird way.

I don't know how I made those movies. I went out every single night, I smoked pot every single day. I drank. We did everything, but I never became a drug addict or an alcoholic. Other friends are dead, many of them. So many people in this retrospective...in Female Trouble, almost everyone is dead.

I am on the road all the time. Whether I'm in Paris or in a small college town in Texas, I can't tell the difference, and that's good. You don't have to leave where you were born to be cool anymore.

I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.

Censorship has been my best press agent my whole life.

"How could you think of such awful things?" liberal critics always ask. "How else could I possibly amuse myself?" I always wonder.