We have to find a way to not refuse to see where we are, what we are doing, and yet we must still live. And making sure to live - to go through life not around it - was always hard. Making sure to be in the vale of soul - making - as John Keats put it. Now it's insanely hard.

A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.

The way things work / is that eventually / something catches.

These are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where “writing infects the landscape” and there are “more letters than leaves” - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.

Brilliant, hard-earned and honest. The erasures and reappearances of figure and ground-that hard drama-have rarely been so movingly undertaken. A heartbreakingly beautiful work.

Water is a miracle - it takes so many forms - is the core of life - is holy. So it becomes important to pay utmost attention to the holiness which is this planet's life - blood, which we are destroying. I always look for it in a poem. I honor it. I pay it mind.

The storm: I close my eyes and, standing in it, try to make it mine.