If there is anything I love most, in the poems I love, it is the audible braiding of that bravery, that essential empty-handedness, and that willingness to be taken by surprise, all in one voice.
Jorie GrahamWhere mathematics and spirit join, where proof of the existence of mystery-salvific mystery-shimmers just below the surfaces of human perception, experience and the linguistic veil itself, Killarney Clary's new book-her best to date-dwells, plumbs, persuades and thrills.
Jorie GrahamI think I am probably in love with silence, that other world. And that I write, in some way, to negotiate seriously with it.
Jorie GrahamI wanted to pack a lot into the lyric, but not go beyond its bounds. Some have written that I wanted to expand what the lyric could do. I just want the hugeness of experience-which includes philosophical discursiveness-to move at a rate of speed that kept it (because all within one unity of experience) emotional. Also, often, questions became the way the poems propelled themselves forward It brings the reader in as a listener to a confession[.] A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.
Jorie GrahamThese are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where โwriting infects the landscapeโ and there are โmore letters than leavesโ - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.
Jorie Graham