I didn't want it to have any technical virtuosity; I wanted it to just be really clear how it was made. For my work in general, it's always really clear how it is made.

I didn't want it to have any technical virtuosity; I wanted it to just be really clear how it was made. For my work in general, it's always really clear how it is made.

I have a streak in myself, like, I'm an exhibi- tionist. There's a side of me that really wants to show off and share parts of myself with others. I mean, that's why I live in New York, and that's why I'm an artist who shows 10 times a year.

It's a lifestyle. If you do something good that is worth making, you should make it forever. It's like being a farmer. Just because he makes a gallon of milk doesn't make him stop.

It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?

I like when people have opinions - especially about art. You can hate my art. I made my art to be hated. That's why I made the name paintings.