But the Spain which emerged around 1960, beginning with its economic miracle, created by the invasion of tourists, can no longer result in impassioned dedication on the part of its intellectuals, and even less on the part of foreign intellectuals.

In Count Julian I simply proposed to create a text which would allow for diverse levels of reading.

The vitality of a culture is in its capacity to assimilate foreign influences. The culture that's defensive and closed condemns itself to decadence.

When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.

I not only lived physically away from my native land, but the values and critical judgments of those closest to me became stranger and stranger.

As I began to discover my own truth and endeavored to possess it with CLARITY, I became more and more alienated from that which my companions held, or professed to hold.

The writer cannot abandon himself simply to inspiration, and feign innocence vis a vis language, because language is never innocent.