And with each day that passed, the gulf broadened and my isolation became more accentuated. In such a situation, the discovery that my experience was not unique, that it had also been that of other Spanish intellectuals, became very important for me.

The writer cannot abandon himself simply to inspiration, and feign innocence vis a vis language, because language is never innocent.

In Count Julian I simply proposed to create a text which would allow for diverse levels of reading.

Marks of Identity is, among other things, the expression of the process of alienation in a contemporary intellectual with respect to his own country.

My exile was not only a physical one, motivated exclusively by political reasons; it was also a moral, social, ideological and sexual exile.

In the Europe which was created by the Second World War, divided into two blocks, each in need of a revolution that would end the abuses and injustices of capitalism and the privileges of a bureaucratic caste, collective faith does not exist.

In times when religious or political faith or hope predominates, the writer functions totally in unison with society, and expresses society's feelings, beliefs, and hopes in perfect harmony.