I do not deny certain kinds of biological differences. But I always ask under what conditions, under what discursive and institutional conditions, do certain biological differences - and they're not necessary ones, given the anomalous state of bodies in the world - become the salient characteristics of sex.

What we need are poems that interrogate the world of pronouns, open up possibilities of language and life; forms of politics that support and encourage self-affirmation.

All of us, as bodies, are in the active position of figuring out how to live with and against the constructions - or norms - that help to form us.

When we say gender is performed, we usually mean that weve taken on a role or were acting in some way and that our acting or our role playing is crucial to the gender that we are and the gender that we present to the world.

Bound to seek recognition of its own existence in categories, terms, and names that are not of its own making, the subject seeks the sign of its own existence outside itself, in a discourse that is at once dominant and indifferent. Social categories signify subordination and existence at once. In other words, within subjection the price of existence is subordination.

I want to say that the way in which we understand gender actually changes the way we live gender.

If gender is eradicated, so too is an important domain of pleasure for many people. And others have a strong sense of self bound up with their genders, so to get rid of gender would be to shatter their self-hood.