We form ourselves within the vocabularies that we did not choose, and sometimes we have to reject those vocabularies, or actively develop new ones.

I do think we need to allow for there to be room for subversive and ironic speech. We need to be able to put out plays in which we make fun of ourselves or in which we interrogate the words that injure us. And maybe give them another meaning.

Surely binationalism is not love, but there is, we might say, a necessary and impossible attachment that makes a mockery of identity, an ambivalence that emerges from the decentering of the nationalist ethos and that forms the basis of a permanent ethical demand.

People who expect enmity to suddenly convert into love are probably using the wrong model.

We set the actors on the scene through the banal discourse of "conflict" in ways that fully deflect from the history and struggle of colonial resistance, refusing as well by that means to link the resistance to other forms of colonial resistance, their rationale, and their tactics.

I think that public grieving is a good thing. People need to be grieved; loss needs to be acknowledged publicly, because it helps to confer a sense of reality on the loss but also because it makes it known that this was a real life.

Look, "Gender trouble" includes a critique of the idea that there are two ideal bodily forms, two ideal morphologies: the masculine and the feminine. I want to suggest that today the intersex movement is very engaged with criticizing that idea.