We set the actors on the scene through the banal discourse of "conflict" in ways that fully deflect from the history and struggle of colonial resistance, refusing as well by that means to link the resistance to other forms of colonial resistance, their rationale, and their tactics.

There are surely many ways that [media select and contextualise events determine the boundaries of public thinking] happens, but we can note at the most obvious level the way in which forms of resistance or violence get cast as "conflicts" that assume two sides that are fighting only against one another.

... that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.

There is no original or primary gender a drag imitates, but gender is a kind of imitation for which there is no original.

In fact in politics, sometimes the thing that will never happen actually starts to happen. And there have to be people who hold out for that, and who accept that they are idealists and that they are operating on principle as opposed to realpolitik.

I never did like the assertion of the "innate" inferiority or women or Blacks, and I understood that when people tried to talk that way, they were trying to "fix" a social reality into a natural necessity. And yet, sometimes we do need a language that refers to a basic, fundamental, enduring, and necessary dimension of who we are, and the sense of sexed embodiment can be precisely that.

Whether or not we continue to enforce a universal conception of human rights at moments of outrage and incomprehension, precisely when we think that others have taken themselves out of the human community as we know it, is a test of our very humanity.