I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.

I'm finding now more and more that nudity is so rarely serves the story in any film.

I like working in television because it's an evolving story that you tell. That's also one of the things I don't like about it, too. Because sometimes it's hard, and just when I think I've nailed something, it changes or we have to change it or change the joke or the character is evolving in a way that I don't have control over.

I think its natural if youre doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.

It's really exciting and also it makes me nervous, because I'm like, "Well, I figured out how to perform this episode, but what if I'm not as good at what they write for next episode?" But that's part of the challenge, and that's what, I hope, ultimately makes me a better actor.

I think that I have a lot of different personalities inside me, and I can just draw on them when I need to. And that, I don't know, maybe that makes me sort of schizophrenic in my real life, but it helps at work.

I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.