I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.

Maybe when we were shooting in the school, I was feeling more like it. Every time I go back to a school for work, I always feel so huge. Everything seems so little. The lockers seem smaller than I remember and the length of the hallways seem shorter when you're a kid.

I hope my next movie is with like 80 year olds because I want to feel young again.

I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.

I want to be on that thing that people watch while they're eating a quick dinner before they go out, or to cheer them up. I want to make people laugh every day, if I can.

Being able to go to work every day with such a good friend - especially in this business where your jobs are short, the turnover's fast, and you're working all the time with so many different people, and there's so many different projects going on that the odds are that you could actually book something that hopefully, knock on wood, is a long-term job with one of your best friends - is too good to be true.

I like television medium because it feels like we're doing a play, and I learned how to act in theater school, so that comes very naturally to me, this format. I like that people can laugh out loud when we're working. I like that we can make mistakes, unlike being onstage, where you can't.