I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.

My perfect Valentine's Day would be coming home to a giant box waiting for me, and it has a gorgeous dress and high-heeled shoes and a handbag. And someone's waiting to do my hair and makeup. You can tell I've been in too many romantic comedies.

I find that falling in love is way more fun than just having that instant attraction that you have to maintain for a relationship.

In the past few months, I've become convinced of one thing: If I were a man, I'd be paid more.

I didn't really think of role in those terms, like 'quirky best friend', when I read the script and when I came to the project.

I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.

Sometimes I get really shy when people recognize me, but when it was from Arrested, I'd be like, "So what do you like about it? You watch it? Will you try to watch it when it's on, and not just TiVo it? Because if you don't want it to be taken off the air...." It was really sad when it got taken off the air. But it's really cool. It was nice to have a small part in something with a big life.