Very few of my characters are based on people I've known. It is too constricting.

May you be ordinary, as the poet once wished the new-born baby.

He always thought that Touie's long illness would somehow prepare him for her death. He always imagined that grief anf guilt, if they followed, would be more clear-edged, more defined, more finite. Instead they seem like weather, like clouds constantly re-forming into new shapes, blown by nameless, unidentifiable winds.

I dreamt that I woke up. It's the oldest dream of all, and I've just had it

Sometimes I think the purpose of life is to reconcile us to its eventual loss by wearing us down, by proving, however long it takes, that life isn't all it's cracked up to be.

You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.

Early in life, the world divides crudely into those who have had sex and those who haven't. Later, into those who have known love, and those who haven't. Later still - at least, if we are lucky (or, on the other hand, unlucky) - it divides into those who have endured grief, and those who haven't. These divisions are absolute; they are tropics we cross.