I think that distance is good for some people for certain projects. I mean this is sort of a dynamic question. Some projects require more distance than others, some don't require it at all. Sometimes you need it and sometimes you don't.

What else she doesn't know: that the man next to her would end up being her husband and the father of her two children, that after two years together he would leave her, her third and final heartbreak, and she would never love again.

The world should always be concerned whenever a vast human rights violation occurs anywhere on the planet.

People can say what they want, but historically, feminism in the Dominican Republic has been extremely strong. I guess the best way of saying it is that no one could have survived what we survived - whether it was first extermination and slavery, then abandonment and erasure, then the series of gunboat two-bit dictatorships, followed by the final apotheosis of dictatorships, the Trujillato. You couldn't survive it without the resistance of this kind of woman.

Books are wonderful, but they aren't that powerful.

But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.

You keep waiting for the heaviness to leave you. You keep waiting for the moment you never think about the ex again. It doesn't come.