Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing.

Or in other works I have also projected the sound in a cube of loudspeakers. The sound can move vertically and diagonally at all speeds around the public.

And harmony means that the relationship between all the elements used in a composition is balanced, is good.

No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.

And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.