Writers are generally anonymous. It just that I think I got out there because I also act as well and put myself in my films.

I think that that's important as a fledgling creator to generate your own work because it's hard to get people to hire you for a myriad of reasons. You have to be able to generate your own work and show that it has legs and that it's viable.

When I walk in the door sometimes, I'm already an anomaly. Because I'm working in a genre that African-American's don't typically engage in.

Writers are generally anonymous. It just that I think I got out there because I also act as well and put myself in my films.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.

I will always write myself a part. It will never be number one or two on the call sheet, but it will be number five through ten. That way they won't kick you off after you sell it.