I view my stories as sexual or personal. Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."
Kevin KeckI've found that depending on the amount of the check, disciplined inspiration can be called upon willingly. I think the name of the lesser known tenth muse was Dollar Dollar Bill Y'all.
Kevin KeckEnergy seems to be the more critical of those two variables, because if I'm really feeling the push/pull to write, then I'll make the time.
Kevin KeckAt the time I was first writing the stories/essays that appear in Oedipus Wrecked, I was still under the impression that people would be delighted to see their name in print. I overlooked the fact that I was writing about intimate matters, and people are a bit touchy about airing their private lives in such a public fashion. Especially when it's done without their consent.
Kevin KeckNot every story lends itself tonally to humor, so you have to navigate that territory properly. You can put a humorous spin on anything, really, if you know what you're doing, but it's not always desirable to have your reader laughing on every page.
Kevin KeckIn fact, I always assumed that most everything I read was true, to one degree or another. I couldn't articulate this fact until after I read Tim O'Brien's The Things They Carried and he discussed Happening Truth, Story Truth, and Emotional Truth. I always understood that the facts of The Sun Also Rises or On the Road were the facts as dictated by a certain narrative structure, but because the experiences of those characters echoed my own feelings about the world. I knew there was a Happening Truth behind them.
Kevin Keck