I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric mania. I think tracks like "Smile Around The Face" are the jolliest things I've ever done, really. But one of the things I like about my music is the fact that it's instrumental, so there are no lyrics to guide people.

It's such a normal thing for a dance producer to make music and try it out in the club, but that was relatively new to me. I wanted to make a good album that felt like it had a point.

Gospel isn't some ditty to make people enjoy their afternoon - it's communicating with God.

So many people I was at school with have all ended up being musicians and putting records out.

When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time.

I feel like there's a young generation of producers who are taking inspiration from dubstep but trying to push it in other directions.

If I bare my soul in bits and make it personal, I think people can sense that when they hear it.