I didn't start to be an artist myself until I was 24.

Prints mimic what we are as humans: we are all the same and yet every one is different. I think there's a spiritual power in repetition, a devotional quality, like saying rosaries.

One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that's really beautiful too. It just isn't beautiful in a way that I knew it was beautiful before.

My support system is simple - people and time. The miracle of other people in your life.

The miracle of being able to pay attention to other people in your life, and the miracle of being in time, and to continue being in time.

As an artist, you want to have an experience. What you need to experience changes over the course of your life because your life changes.

We as beings are very contradictory, complicated creatures that work in our best interest and against our best interest. In a certain way, I want my work to have all that messiness.