I'm reminded of the arm, and the body, and the appendage.

I'm not moving from an ideological standpoint. Sometimes I'm trying to make my life better. Sometimes I'm trying to make my life worse! I'm trying to find a happy medium that I can make some sense of.

Making art is a lot about just seeing what happens if you put some energy into something.

You can have fantasies about having control over the world, but I know I can barely control my kitchen sink. That is the grace I'm given. Because when one can control things, one is limited to one's own vision.

Art is a reflection of everything that impacts your life.

You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.

One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that's really beautiful too. It just isn't beautiful in a way that I knew it was beautiful before.