In our family, there wasn't anything else besides art. Nothing else in the world existed. My father never spoke about going to a movie or listening to music, other than my mother's singing.

I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.

The miracle of being able to pay attention to other people in your life, and the miracle of being in time, and to continue being in time.

I got into animals by drawing hair follicles. I liked drawing hair, and from that I got into feathers and fur, then into images of animals. The patterning is the same, but the proportions of the body change from one animal to the next. A lot of it is just geometry and consciousness.

I have to make about a million proofs of everything. I don’t know, it’s just a repetition, like a meditation. You come back to something and then you leave it, and then you come back again and you leave it, and each time it changes. And sometimes you have to wait for new information inside yourself to be able to finish something, to find out how it should go.

I first had no interest in figuration whatsoever.

Life really changes. And it gets lighter, for the most part. You tolerate yourself and others better.