I really love printmaking. It’s like a mystery and you’re trying to figure out how to rein it in.
I'm in general a nostalgic person, but I don't know if I'm nostalgic for the 80s!
When studio art started being seen as important, I joined Colab, and then I became very involved.
Stained glass enabled the modern world.
My support system is simple - people and time. The miracle of other people in your life.
Now, it is much more difficult for young people coming to New York. But also when you're young, you have more time to interact with one another, to discover yourself with people of your generation.