I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.

Stained glass enabled the modern world.

I have to make about a million proofs of everything. I don’t know, it’s just a repetition, like a meditation. You come back to something and then you leave it, and then you come back again and you leave it, and each time it changes. And sometimes you have to wait for new information inside yourself to be able to finish something, to find out how it should go.

I'm in general a nostalgic person, but I don't know if I'm nostalgic for the 80s!

When studio art started being seen as important, I joined Colab, and then I became very involved.

The point of art is that it always has the necessity to expand because people are inherently expanding.

One hopes that each piece contains enough space for several narratives.