I'm peripheral in Colab's history because others were involved in media, filmmaking, and music, and I was always a studio artist.

Life changes a lot. I guarantee you.

As a child I prayed that my calling be revealed - but not with expectation and not with a destination. I became an artist because I didn't know what to do and I thought it was really fun to make things.

I think that sense of always traveling has something to do with anonymity and privacy and pleasure in having a very clear, very reductive life.

The miracle of being able to pay attention to other people in your life, and the miracle of being in time, and to continue being in time.

We as beings are very contradictory, complicated creatures that work in our best interest and against our best interest. In a certain way, I want my work to have all that messiness.

Prints mimic what we are as humans: we are all the same and yet every one is different. I think there's a spiritual power in repetition, a devotional quality, like saying rosaries.