I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.

I never watched Friends, maybe because it was written by people straight out of college....The only way to avoid age discrimination in Hollywood is to die young.

Your style is formed by what you can't do.

I think the greatest imagination we can exercise is one that imagines how someone else feels. Because you know how you feel, but so often we attribute our own feelings on to someone else.

I love to play with language; make it do tricks, turn a word inside out to see if it's got a hidden meaning tucked away somewhere, or perhaps find that it's capable of an extra entendre or two. . . . Plotting is nothing I did, or do, naturally. It is the hardest part of the writing process. No matter how many times you plot a script successfully, the next one, representing new and uncharted territory, convinces you that you really don't know how to do it at all.

A war is like when it rains in New York and everybody crowds into doorways. They all get chummy together perfect strangers. The only difference, of course, is in a war it's also raining on the other side of the street and the people who are chummy over there are trying to kill the people who are over here who are chums.

I'm a recovering optimist.