What people can survive and what they don't survive is shocking to me. Someone can go to Iraq and be blown to bits and survive. Someone can trip and fall on the street and they die - that's that.

Doing the right thing has power.

I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.

The thing about death is that it's honest. I go to things that have a core of honesty about them and there's nothing more honest than death.

There's a real passing down in the theater, almost ad nauseam. You have to listen to older people talk about their experience, but it makes you very aware of what has come before you or what is coming after you - that you're a part of a link in a chain. It's not all about you.

I know that actors and actresses have a great reputation for being very, very selfish, and in some cases, that's very true. But in the theater I find it doesn't help you to be selfish. You sort of have to be selfless in the theater, and the more selfless you are - that doesn't mean don't take care of yourself - but the more you sort of surrender to the work, I find, the better the work is. That's just my experience.

Where I did feel a difference is learning to just work in a different way so that your resources are not completely depleted so that you don't have anything to give to your child when you go home, and fortunately I've been working long enough that I know how to make that shift so that I don't compromise my work or compromise my relationships; not compromising parenting is really the biggest difference.