I've realized that with each novel I seem to set out a kind of puzzle for myself. And I am never sure in the process of writing a first draft how it's all going to turn out.

I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong.

I tend to start with a fantastical premise, and then I place it in the world we know. Or, really, it places itself. Honestly, I feel that I have very little control of the magical aspect, as that's just what comes out for me.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

As a reader I gravitate toward work that rests in the gray area, that doesn't come with easy answers.

I feel that if I establish the world or the premise from the first line, then I can get the reader to come with me where I want her to go.

I could have a lot of fun with Michael Jackson, I'm sure.