To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.

I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.

I feel that if I establish the world or the premise from the first line, then I can get the reader to come with me where I want her to go.

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.

As soon as you start to question your own intent while you're still in the process of discovering your story, you're in trouble because you've pulled out of that unconscious space that is so necessary in the beginning of the drafting process.

I'd say that most of life seems to me to be that way, a mixture of the mundane and the mythic, when you're living the life of the mind.