There are people who speculate at objects. I don't think that makes them evil or not evil. It doesn't matter; in order to speculate, it has to be made public. Once it's made public, it's functioned is art.

Genitive is a funny word because it means "from," but it also is the gender in European languages for objects: the masculine, feminine, and neuter. So if you have a genitive present, there's room for everybody to fit in. I just did a project in Vienna about rock, paper, scissor; you change the gender and it simply changes the whole thing. Rock is no longer a male. It doesn't function the same way.

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.

Art's supposed to build logic structures.

Artists try to ask questions, and within our society, unless there are artists, those questions don't get asked. And everybody blames the market.

The concept of who your audience is becomes more important than your site. Sometimes you can be commissioned to do a piece in Strasburg, and it works. Sometimes you're commissioned to do a piece somewhere else and it doesn't work, but then it moves to another city, the people embrace it, and becomes part of them. You just misjudged the needs of the people. Art is about giving people material and things to work with to fulfill whatever needs they have.

I think it's a waste of time to worry about the motives of why people are supportive of things. I think we should look at the thing itself. And if they're supportive of something that's sexist or racist, then it's a bad thing, but it's not because they're supportive of it that it's a bad thing.