I'm always in the theater seeing everything, good or bad.

I don't really look around and say, 'I've made it.' I just look around and think how fortunate I am to work with the people I'm working with.

I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.

Jews took it very seriously to marry other Jews and repopulate the Jewish bloodline, and my father's generation gets very serious in my household when they're like, "You have to marry another Jew," because that's still kind of the mentality coming from the baby boomers. So I know that type of pressure.

What you choose to do professionally is a reflection of yourself and I take that seriously as an actor. But even as a filmmaker, I take it even more seriously.

I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.

Some people don't have an open mind, and when I was traveling to different places I think I found it hard to enjoy things. You know, I come from a great city where there are lots of things happening, and if you end up in a small town where you don't have all those things you can feel the difference. Somewhere along the way, though, I think I learned to appreciate the difference.