Do what you want to do, and don't worry if it's a little odd or doesn't fit the market.

My stories are sometimes closer to poems or meditations, but often there is at least a little narrative in them.

I think a lot of what goes into writing can be taught - not mixing metaphors, etc.

I can talk for a long time only when it's about something boring.

The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.

Maybe the truth does not matter, but I want to know it if only so that I can come to some conclusions about such questions as: whether he is angry with me or not; if he is, then how angry; whether he still loves me or not; if he does, then how much; whether he loves me or not; how much; how capable he is of deceiving me in the act and after the act in the telling.

I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.