In some sense the text and the translator are locked in struggle - 'I attacked that sentence, it resisted me, I attacked another, it eluded me' - a struggle in which, curiously, when the translator wins, the text wins too.
Lydia DavisI donโt like to hurt peopleโs feelings, and I donโt like to knock other writers as a matter of principle.
Lydia DavisWe all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories donโt usually serve us up whole scenes complete with dialogue. So I suppose Iโm saying that I like to work from what a character is likely to remember, from a more interior place.
Lydia DavisIf you think of something, do it. Plenty of people often think, โIโd like to do this, or that.
Lydia DavisI attempt all day, at work, not to think about what lies ahead, but this costs me so much effort that there is nothing left for my work. I handle telephone calls so badly that after a while the switchboard operator refuses to connect me. So I had better say to myself, Go ahead and polish the silverware beautifully, then lay it out ready on the sideboard and be done with it. Because I polish it in my mind all day longโthis is what torments me (and doesn't clean the silver).
Lydia DavisWe feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadnโt read it now; or what we would have been likely to think but never would have thought if we hadnโt read it now; or what we would have liked to think but never would have thought if we hadnโt read it now.
Lydia Davis