I always thought I was funny, but I was very sensitive, and very provocative just to get a rise out of people.

If you let someone talk for an hour, you're gonna have a pretty good idea of who they are, and I think that's more rewarding than me sitting there going, "That's complete bullshit about health care."

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'

There's something about cats' self-sufficiency and their seemingly individualistic ways that I find compelling.

You get all excited to give her the ring, and it's real emotional, and you give it to her, and she cries. And a second later, you're like, 'Damn, I could have had a car.'

I'm just saying, 'Hey, throw me a bone. How about a smile, cute t-shirt? Look at me.' Nothing - unless it's a turn to their friends to go, 'Hey, why is that weird guy looking at us?'

When you actually meet the devil and he offers you a deal most artists eventually negotiate.