In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

When you're a kid, you always feel you have this weird kindred-spirit thing with other Jews, until you get older and you realize it's just middle-class bourgeois Jews that sort of fit a template that your family fits into one way or another.

Buying my wife a gun sort of like me saying, ' You know, I kinda want to kill myself, but I want it to be a surprise'.

I think sharing experience makes everything better. When people get talking about how they've overcome something or how they haven't, it's nourishing.

I'm not for everyone. I'm barely for me.

I'm not against people just being funny or telling stories. I don't need to delve into the soft, dark core all the time. If it happens, it happens.

When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.