In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

On some level any appearance on Television can be seen as a product endorsement.

The medium of podcasting and the personal nature of it, the relationship you build with your listeners and the relationship they have with you - they could be just sitting there, chuckling and listening... there's nothing like that.

I'm not completely sure we aren't all living in a hallucination now.

How complicated can ice cream flavors be? How much can you put in there? I mean, when the flavor's something like banana ice cream with caramel, fudge chunks, cheddar goldfish and pennies - you've got to draw a line there.

As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.

People who have babies tell me I will know a love that is beyond anything I can imagine, and a joy that is indescribable. Love and joy? That sounds horrifying. I have no way of knowing whether I can handle either of those. I'm much better with need and fear. They are what ground me.