In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

That's an animal fable about humility. If you survive your mistake, you must learn from it. Accept that you're fragile, vulnerable, and sometimes stupid. Realize that you're not immortal and you've got to take care of yourself. And then laugh it off and fly away.

The way I figure it, if you can't tell I'm high by looking at me, I win.

Show business is one of the few businesses that the devil will actually agree to own just a portion of your soul because he knows if you have a performer's ego you were probably working for him all along.

I'm interested in the fact that comics are people who are oddly courageous in their desire and their commitment to sacrificing any sense of normalcy in their lives, any sense of security, and most of them are oddly unique individuals. Let's have a broader conversation with people that have spent their last however-many-years thinking about their lives. I mean, they're philosophers. They're poets. They're people who are on the outside looking in at the world through a different set of values.

I think that standup has always been an acquired taste and there was always only a handful of performers that were really inspired.

They are not testing comics for drugs. If our job is dependent on that, there would be three working comics in the country, and two of them would have puppets.