In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

It seems people are more willing to let other people control their minds now and recreational drug use doesn't seem to have that same renegade sense of adventure that it once did.

I think seeing Pryor's first movie, Live In Concert, when I was in high school changed my life. Pryor really put the heart in darkness for me.

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'

I once talked about wanting to kill myself, but I don't think I was ever really planning on doing it. It was just comforting to know that I could.

Most of my comedy writing happens through improvisation on stage; doing it in the moment.

Some of you may be perfectly happy with mediocrity. Some of you will get nothing but heartbreak. Some of you will be heralded as geniuses and become huge. Of course, all of you think that one describes you...hence the delusion necessary to push on.