Let's be honest, this is a consumer based economy in America. That's all we manufacture here is need and appetite. We are the world's mouth. They make things in other countries, and they're like, 'Send it to America; they'll eat it.'

What appealed to me was the intimacy of the medium, the fact that I was doing it from my home, and the fact that I wanted to talk. I was not there to plug things. I don't do a hell of a lot of research. I go on a sort of kindred-spirit bonding that preexists the interview, and just see what unfolds.

Surveillance induced morality: relics of cultural retardation.

I remember seeing Richard Pryor's first movie; it was a midnight movie when I was in high school. I must have been about fifteen. It was one of the most cathartic experiences of my life. I'd never laughed that much.

I'm just looking for authentic engagement of some kind, and usually, after an hour or more, you get that. Some people talk at you. Some people just want to answer questions, but a lot of times, all of a sudden you drift away, and you don't remember you're on the mic, and you're in something real.

Art is supposed to punch you in the brain, and it's supposed to stay punched.

That’s the big challenge of life—to chisel disappointment into wisdom so people respect you and you don’t annoy your friends with your whining.