What appealed to me was the intimacy of the medium, the fact that I was doing it from my home, and the fact that I wanted to talk. I was not there to plug things. I don't do a hell of a lot of research. I go on a sort of kindred-spirit bonding that preexists the interview, and just see what unfolds.

It always astounds me that over the course of my career, and having lived in four comedy cities - New York, Boston, San Francisco, and Los Angeles - there's very few people I haven't run into.

I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.

I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'

We’re built to deal with death, disease, failure, struggle, heartbreak, problems. It’s what separates us from the animals and why we envy and love animals so much. We’re aware of it all and have to process it. The way we each handle being human is where all the good stories, jokes, art, wisdom, revelations, and bullshit come from.

Is it hard to make a living in show business? Yeah.

I'm not against people just being funny or telling stories. I don't need to delve into the soft, dark core all the time. If it happens, it happens.