Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.

I like controversy. The more controversial it gets, the more interesting it is.

Just doing a project because its an opportunity wont create meaning. As an artist, I need something to communicate.

Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.

When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

[While] physically traveling someplace or experiencing someplace firsthand, physically versus - which is what a lot of young people do - the experience is mitigated through technology and through social media.