I've always been interested with the idea of technology and the way technology affects our ability to communicate - our ability to have a rewarding experience with technology versus a kind of dehumanizing experience with technology.

Usually, the energy in elevators is so awkward; I mean, I cant imagine the politics in the ones in the Conde Nast building.

I like controversy. The more controversial it gets, the more interesting it is.

When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

I think in America there's this free flow between fashion, art, architecture, music and design. In Europe it's more segregated between those different disciplines I think.

The durational aspect of video art is very different from photography or sculpture. The idea of looping things interferes with that a little bit. It eliminates that finite viewing period which I think is not so expressive sometimes.