The intention is to make people laugh, to make people happy. It's unselfish, it's in the service of others, and as a comedian you are making yourself vulnerable in order to make others happy. And it has a transformative power.

Korean children get a lot of fuss made over them, I guess because life was tough in the old country, and it was a big deal if you survived. There's a big party thrown when you are 100 days old, followed by another when you make it to one whole year.

I'd like to put across the notion that bad taste is actually good for you.

And if the problem [with contraception] is promiscuity, then why does the immense popularity of Viagra go unchecked? Doesn't it make more sense to leave the bullets out of the gun than to try to avoid being shot? Especially when the gun is an old musket, and you have to clean it out and tamp down gunpowder, melt down scraps of lead and pour it into a mold, wait for it to cool - only to have it take forever to finally go off?

I am always writing no matter what I am doing and no matter what it is for.

I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.

I'm lucky that I have good genetics. Like you said, it just gets better as I get older.