I am in love with Counting Crows. It is so manly and American.

What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.

You don't become a Republican until you lose all your baby teeth and fall down a lot and get the croup and then become angry and bitter.

People drain me, even the closest of friends, and I find loneliness to be the best state in the union to live in.

I think comedy is an angry art form; it's an outsider art form.

I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.

The intention is to make people laugh, to make people happy. It's unselfish, it's in the service of others, and as a comedian you are making yourself vulnerable in order to make others happy. And it has a transformative power.