I think reality television is such a special talent.

That's the nature of comedy. You always want to be improving and growing and changing with what's happening in the world. That's when comedy is most effective.

My family has been deeply affected by the split of Korea, which divided it in half, basically, before I was born. There's no way to connect with my family now who are in North Korea because it's so isolated. We don't even know who is still there and who is alive, and if they are, what they are doing. Comedy is the only weapon I have to battle this totalitarianism.

I'm really bad with trolls because I have a lot of really intense friends who are not necessarily doing things so legally. If I get trolled, [my friends will send me] an email with the person's Social Security number, phone number, pictures of his family, his business, his spouse. I see this person in his totality, and I feel so bad. I shouldn't have that power.

Comedy is quite a difficult place for queers and for women.

I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.

I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.