I mean, what's great about touring is that's what you do. You're in a constant state of motion and then you stop to do a show and you move onto the next city. All you have to do is do the show. That's the only responsibility that you have.

I get a lot from great '90s artists like Juliana Hatfield, The Pixies, and bands like That Dog and The Breeders.

Where do people get off telling people what to do? It's their bodies. If you legalized sex work and legally protected the sex workers, you wouldn't see anything like human trafficking. All of that would be obliterated.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

The intention is to make people laugh, to make people happy. It's unselfish, it's in the service of others, and as a comedian you are making yourself vulnerable in order to make others happy. And it has a transformative power.

I think political correctness really does help us when it serves us but it doesn't help us when it silences us.

I was in Toronto when they had a severe outbreak of SARS - you know, Severe Asian Racism Syndrome. I was in the airport and there were these big snowboarder guys and they had white masks around their necks, and as soon as they saw me, they put their masks on. So I went "cough, cough, cough... You wanna egg rorr?